EGS - This Could Go On Forever

Text by Tomi Moisio

ETERNALLY INCOMPLETE

EGS has become well-known as a graffiti artist, and over the last few years he has steadfastly carried out an artistic process titled This Could Go on Forever.

The work consists in EGS travelling to Estonia and painting a graffiti on an abandoned building. The process is filmed and photographed, and on the basis of the images produced by this the artist creates a three-part glass sculpture in Riihimäki, a town in southern Finland. The same three letters, E, G and S, are abstracted into the sculptures, as also into the graffiti.

The glass work that is created on the basis of the graffiti is packed and taken on his next journey to Estonia, and a new graffiti inspired by it is created before the camera. As the title suggests, this process could go on for ever.

The dilapidated buildings in remote areas of Estonia on which EGS paints his graffiti are relics of the Soviet past: decommissioned factory and office buildings, abandoned kolkhos chicken farms, Cold War missile bunkers. Over the decades, nature has begun to reclaim these man-made concrete structures, to whose grey history the colourful graffiti bring new life.

The performative nature of the process is emphasised by the fact that no-one knows how long EGS’s graffiti – or the walls on which they are painted – will exist. Another graffiti artist may soon come and bomb them (that is, paint over them), or the whole building – or in some cases the remains of a building – may be razed to the ground.

The process has been captured on 8-mm film, a choice of medium that is both significant and deliberate. The hazy and dreamlike quality of the substandard film emphasises the intertwining of memories and the past with the present day.

The use of substandard film could also be seen as a technique that “transfers objects into the world of memories”, as Ville Lukkarinen, a professor of art history, has said of Polaroid photographs.

It is also significant that the films have been recorded with Soviet-made cameras, which were in popular use when the factories themselves were still going full-steam. Analogicity occupies a key position: only the development stage reveals what kind of material has been recorded on the film and how usable it is.


I worked as a photographer and cinematographer as part of the team for the exhibition EGS – This Could Go On Forever, held at Serlachius Museums from September 2022 to March 2023. For this project, we filmed over approximately a year, from August 2021 to June 2022. In total, I took about 560 images on 35mm, 88 images on 4x5" large format and about 24min on super 8 film.